Ocaña de España

Ocaña de España

Architecte
Manuel Ocaña Architecture
Lieu
Ocaña, Toledo, Spain | View Map
Année du projet
2009
Catégorie
Logement
Imagen Subliminal
Fiche technique du produit

ÉlémentMarqueProduct Name
FabricantsRoca
FabricantsTrespa
FabricantsTechnal
FabricantsAlfombras KP
FabricantsLA PALOMA CERÁMICA Y GRES, S.L.
FabricantsMaderas Agullo

Fiche technique du produit
Fabricants
by Roca
Fabricants
by Trespa
Fabricants
by Technal
Fabricants
Fabricants

Ocaña de España

Manuel Ocaña Architecture en tant que Architectes.

This collective housing project tries to be a tribute to the inner wishes of the current Spanish society. The project is an ultra-realistic performance about the real state market, in the shape of a 53 dwellings building developed in ground floor + 3 heights.


We succumbed to the unquestionable wishes of a creative private promoter. He wanted a building that looked like from Cuenca from the outside but very modern in the inside. We proposed to build it as a replica of the hunging houses. The two first floors would be rock (constructed with the same techniques used in the theme parks Port Aventura and Terra Mítica), while the two last ones would be costumbrist houses laid on it, finished with a roof made of a canvas with a serigraphy of Arab tiles. 

The first architectural decision appears with the configuration of the building as a 2+2 instead of a ground floor +3. Two orders, of two floors each, piled in horizontal. Five extent irregular shaped volumes lay on the inferior basement. All the houses are different one from each other.


Butt the main architectural decision is about the common spaces of circulation. Those generous spaces are solved around wide open patios, with crooked and secret flowings. In the upper lever the extent configuration of the five volumes allow, besides of interesting micro-spaces for community use, spaces with diagonal and surprise views.


On the other hand, the final image of this architecture, (that can be related to the oceans of fake, Hello Kitty´s fossil or a pre-Columbine Mickey Mouse could be references) has the suspicious aim of understanding public opinion as an order, not as a proposal. The result is a language based on clichés, on the most popular topics that appear in the touristic postcards; images and representations that most of Spanish people understand as a paradigm of wellness and happiness.

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