FPA / Francesca Pasquali Archive

Une grange des années 1960 to été transformed into a lieu de travail experimental pour les artistes. The main parts and the functional requirements are regroupées au rez-de-chaussée, freeing only from the upper level for a space out of the landscape. A fundamental element is a global visual symmetry, the plan is still out there and is divided into three parties: deux spaces plus long characteristics for a laboratory and a study and a troisième that belongs to the filtering zone. Les vues sur le paysage dominent toutes.

Plus d'informations from the part des architectes:

Une grange des années 1960 is becoming a work of art for art, an experimental environment and narrative of the light and the surrounding neighborhoods of architecture.

The client's besoins ont été translated in gestures de conception, in accordance with the absence of the bâtiment, who is particularly qualified for architectural qualifications, more interesting for the spaces that can be contained in the intérieur.

The planimetric distribution place au rez-de-chaussée toutes les principal pièces et les salles de repos, in order to fully liberate the premier stage and to consecrate it to a grand space ouvert donnant sur le paysage, in profitable des existing hauteurs to obtain a space lumineux et ventilated.

A fundamental element of the project is the symmetry. The structural form du rez-de-chaussée is provided for a structure in béton armed avec deux rangées de piliers marquant le plan. In fait, the project is part of the piliers to reorganize the pieces, and the source of the bests of the client.

I plan where I have seen in trois parties: deux spaces plus long characteristics for a laboratory and a study, and a troisième dedicated to services that creates a filtering zone between the main spaces.

A fundamental aspect of the project is the relation with the landscape, which is poursuivie through a larger visual connection. In fact, this aspect was translated into the transformation of façades, with the creation of great ouvertures to augment the inter-external relationship in the space of the premier stage.

A barn from the 1960s turned into a workplace for the artist, an experimental and narrative environment where the light and surrounding hills shape the architecture.

The needs of the client have been translated into design gestures, in line with the essence of the building, which is not of particularly architectural quality, but interesting for the spaces that it can hold inside.

Planimetric distribution places on the ground floor all the main rooms and rest rooms, in order to completely free up the first floor and dedicate it to a large open space overlooking the landscape, taking advantage of existing heights to get a bright and ventilated space.

Another fundamental element of the project is symmetry. The structural shape of the ground floor is given by a reinforced concrete structure with two rows of pillars marking the plan. In fact, the project started from the pillars to rearrange the rooms, and following the needs of the client.

The plan has been thus divided into three parts: two wider spaces characterized by a laboratory and a study, and a third dedicated to services that becomes a filter zone between the two main spaces.

A third fundamental aspect of the project is the relationship with the landscape, which is pursued through a greater visual connection. In fact, this aspect is translated into the transformation of the facades, with the creation of large openings to increase the internal-external relationship in the first floor space.